I came across this awesome piano duo via Great White Snark:
Awesome Star Wars rendition:
I also loves this rendition of Rondo all Turca
You can see a ton more about Anderson and Roe at their website.
I came across this awesome piano duo via Great White Snark:
Awesome Star Wars rendition:
I also loves this rendition of Rondo all Turca
You can see a ton more about Anderson and Roe at their website.
I first saw this video at the Microsoft Company Meeting 2008, and looked for the song everywhere, but couldn’t find the Magneta Lane version. They recorded it just for Microsoft. Nevertheless, the original Ash version is great too, so get that in the meantime.
Magneta’ Lane’s MySpace page does mention the song, and maybe a release is on the way.
Update: Forgot the music video from Ash. I like it.
We might have to make a few exception this year to our decision not to go the theater anymore…hopefully won’t have experiences like the last time…
or Why I Don’t Leave The House Anymore
The last movie I saw in the theater was the 3-D version of Beowulf. The theater was fairly empty–maybe 30-40 people total. Two teenage girls sat two seats to my left. A man was in front of me. The two girls talked loudly through before the movie and when it started, they didn’t stop. They continued to talk and laugh loudly until the man in front gave up first:
Man: Excuse me ladies, the time for talking is over.
Girl: I ain’t talking to you! You turn right around and shut up. I ain’t disturbin’ no one.
Main: if you don’t stop talking, I will go get a manager and have you thrown out.
Girl: You shut up. Turn around, turn around… turn around mister.
Girl: <to me> excuse me, sir, am I disturbing you?
I looked at her and said, “Yes, you are.”
She shut up after that.
That wasn’t all in this showing. A man/woman couple behind me had the following exchange:
Woman: shut off your phone!
Man: I ain’t shutting off my phone! I don’t shut off my phone for anyone–I don’t even shut it off in church!
Woman: shut it off!
Man: No way!
(this repeated a few times in a similar vein.)
This man got up and left half way through the movie when his phone went off. He came in 20 minutes later with a friend, and they stood in the doorway and talked VERY loudly to each other and on the phone. The man in front of me got up and asked them to leave, and they did..after a minute or two.
What goes through the heads of these imbeciles?
My mother, grandmother, and family friend were in London. They got tickets to see Dirty Dancing (which they thought was good, but not as good as the movie of course). Apparently that show is popular as a destination for girls’ bachelorette parties. The entire performance was punctuated by screams and yells every time the lead male came out.
I’m not against a good time, but this is the theater not a private party. Most of the audience is there to see a show. The theater should advertise certain days as more appropriate for this thing–theater aficionados beware.
When my wife was visiting family in San Antonio they got tickets to see the touring Phantom of the Opera. They had nosebleed seats, which made the experience even more unfortunate.
Apparently, the theater serves beer throughout the performance–not just intermission. The guys in front of them got up half a dozen times to refill their beer glass throughout the show, blocking their view for a significant period of time. Add to this, the glare from the beer glasses, the opening of cell phones during the performance, bathing everyone in bluish glow, talking, and basically acting as if they were at a rodeo.
What is wrong with people that this is accepted behavior? Why aren’t these people kicked out more often? we (I’m including myself)willing to tell them their behavior is unacceptable and get management to act ? And I mean without a refund–maybe even a fine or a ban.
Edit: My wife was so upset at the experience that she wrote the theater a letter of complaint.
Yeah, I’m a snob. So what–it doesn’t make me wrong.
All of these stories come down to rudeness at a basic level. People just don’t care what effect their actions will have on others. Sooner or later, this will creep up into the higher arts–classical music and opera, if it hasn’t already. Nobody will enjoy anything because of the few who just don’t care and ruin the experience for everybody.
I actually don’t think I’ll ever attend the theater to see a film again. We finally bought our first TVand a sound system. It’s modest, but it’s better than having expensive experiences marred by idiots.
I’ve updated my list of podcasts with some that I forgot and some new ones I discovered while finding the links to the first ones. I also slightly reorganized the list (Added a business section)
I got a 4 MB blue iPod Nano 2nd Genfor my birthday last June, and while I do have a few music playlists, I almost exclusively listen to podcasts. I can’t believe I went so long without one of these. Putting together the list below led me to some others that I might give a try, but for now here’s my list:
Education
Business
Fun
Technology
Honorable Mentions
Washington Post story. You can no longer put the CDs you BOUGHT onto your iPod.
Update: ok, apparently the story is wrong. Still, the RIAA is evil…
Technorati Tags: RIAA, digital music
We just got Darren Aronofsky’s The Fountain in the NetFlix mail today, and we loved it. Definitely worth watching, a thinking movie, a feast for the eyes. The use of lights was spectacular. It was in the same realm as What Dreams May Come (though I liked that one better), but it also made me think of Orson Scott Card’s Speaker for the Dead. I’m afraid if I say why it will give too much of the movie away. It just needs to be seen and experienced.
See it–a wonderful movie.
I was lucky enough to score some tickets to an advance promotion of Copying Beethoven from Washington’s Classical Station, WGMS. It opens this Friday. I was pretty excited. It was in the very nice E-street Landmark theater in downtown DC. Apparently, they had given away hundreds of tickets, but no more than 30 people show up. It’s a week night, but that seemed pretty low.
The movie tells a fictional account of the last few years of his life through the eyes of a young, female music copyist. The plot is fiction, but the insights into his mind and passion for music are the heart and soul of the movie; and these, I believe, are not that far off the mark. I am not an expert on his biography, but I have read a volume of his letters and the man in those was certainly portrayed in this movie: prone to a fiery temper and bouts of rashness, but then kinder, sadder, yet always passionate. This constant fluctuation of moods was appropriate and definitely inspired a sympathetic understanding.
I very much enjoyed the discussions of music, inspiration, God, and his family (in the form of his nephew): they also confirmed the sentiments I gleaned from his letters. The fact that Beethoven was a bridge between classical and romantic music is not-so-subtly represented, especially in one amusing scene.
The highlight of the movie, however, is the premier of Beethoven’s 9th Symphony. Obviously, the entire Symphony could not be represented in the movie, but significant portions of each movement are played with great dramatic effect. The camera movements brought you directly into the orchestra with him, the musicians, and the choir. After this, the movie slowly winds to a close, somewhat anti-climactically, but this was probably accurate in real life as well.
Ed Harris does a wonderful job–I wasn’t sure I would get used to him, but after a while I forgot about the actor and just saw Beethoven. Diane Kruger also does a wonderful job in her fictional role.
7/10. If you truly appreciate Beethoven, you will love this movie.